Shadows are all Commissioner Stern sees: the darkness he comes from is too powerful to escape, and years of delivering news of others' deaths have made him a cynic. Now his new colleague, Martin Berger, has Stern completely at a loss; even worse, Berger's young wife Sophie has trustingly turned to him for help. Stern feels himself drowning in all of this intimacy. JOB follows the film noir tradition, and allows audiences to look deeply into the souls of its despairing protagonists.
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